My practice begins from questions that resist conclusion, questions about existence, presence, and what it means to inhabit a body shaped by time, memory, and circumstance. Rather than seeking resolution, I approach these questions as territories to dwell within, using art as a way of thinking through form and attending to the world without assuming it is already understood. Observation serves as my point of entry: a gesture, a subtle shift in atmosphere, or a moment of hesitation in public space often reveals more to me than spectacle, exposing the fragile architecture of inner life, the quiet persistence of dreams, and the ways resilience and vulnerability coexist within us. I believe ideas are not invented but encountered, already present and waiting to be recognized, and that the role of the artist is not to impose meaning but to reveal what the ordinary already contains while preserving its ambiguity. Working across painting, drawing, sculpture, and object-making, I am drawn to materials and forms that exist in tension, between delicacy and density, stillness and strain, fragmentation and coherence, vulnerability and endurance. In this space, I intentionally disrupt balance, not in pursuit of perfection, but to reflect the asymmetry of lived experience and the ways life continuously bends, unsettles, and reshapes us. Trained and previously working as an engineer, I carry into my artistic practice a lasting sensitivity to structure, systems, and the unseen forces beneath visible surfaces. Art was never a departure from that discipline, but a continuation of the questions it could not contain, offering a language spacious enough for uncertainty, intuition, and complexity. My work has been exhibited internationally and is held in public and private collections. Living and working in Amman, I continue to investigate the subtle negotiations between the individual and the conditions that shape them, drawn especially to those quiet moments where existence reveals itself without explanation, where the human being is neither heroic nor defeated, but simply part of a larger order of being.
In this project , the closet becomes a psychological and emotional space, where fabrics, colors, and hidden compartments mirror memory, identity, and transformation. I imagine people moving through life carrying transparent closet-like structures around them, layered architectures of experience that merge and shift through human encounters. In this way, the closet expands beyond storage into a fragile extension of the self, shaped by memory, intimacy, and the desire to be seen and accepted.
